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Atahan Topçu Architecture
Atahan Topçu Architecture
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FOLDA
PAZARDZHIK CITY MARKET
URBAN

Project Place:  Pazardzhik, Bulgaria

Project Type: Market, Bazaar

Year: 2025

Team: Atahan Topçu, Gülcan Anlıtan, İrem Keskin

Building Area: 1500 

Pazardzhik Multi-Layered Market and Public Platform

Project

1. Introduction

The project we propose for Pazardzhik is not merely a marketplace; it is envisioned as a meeting point where

urban life is redefined and historical continuity is reinterpreted through a contemporary lens.

Within the city’s multilayered historical fabric dating back to the Ottoman period, markets have stood at the

center of both economic and social life. They were not simply weekly events but foundational elements of

everyday practices. In traditional Ottoman towns, markets were not only spaces of trade; they were arenas of

social encounter, public life, and the continuity of daily culture.

Our proposal builds upon this legacy while responding to the dynamics of modern life. The market is

conceived not only as a place of exchange but also as an urban node of breathing, meeting, and socializing.

In a city like Pazardzhik—where the past and the present are deeply intertwined—this meaning resonates

even more strongly.

2. Site and Context Analysis

Pazardzhik, located in southern Bulgaria, is a city layered with cultural influences throughout history. During

the Ottoman period, it served as a significant settlement, with its bazaars and marketplaces forming a vibrant

part of daily life. Thermal springs in the surrounding area attracted artisans and producers, and local markets

became stages not only for economic transactions but also for social interaction.

This enduring cultural memory remains present in the collective consciousness of the city and serves as one

of the main inspirations for our proposal. However, the post-Soviet architectural environment—characterized

largely by monotonous and uniform structures—fails to embody this richness of cultural continuity.

In this context, the project seeks to bridge past and future by referencing traditional patterns of public life

while offering a new urban scenario for tomorrow. The market is envisioned not just as a functional space but

as a stage that reconstitutes historical memory and ensures urban continuity.

3. Design Decisions

3.1. Dialogue with Topography

The market space is set one meter below ground level, creating a subtle separation from the existing urban

plane while forming a micro-climate that draws users into the space. This design gesture offers both a sense

of shelter and a theatrical character to the environment. At the same time, lowering the market provides a

more modest and controlled presence within the broader urban scale.

3.2. The Roof Structure and Multi-Layered Life

The roof canopy, rising up to nine meters, is more than a climatic protection device. It transforms into a public

platform—an urban stage that connects with the adjacent thermal park, bridging built environment and natural

landscape in a fluid relationship.

The roof itself becomes accessible, offering a terrace layer for public programs such as: - Viewing and

seating steps for events - Urban agriculture workshops - Learning spaces for children and youth - Exhibition

and performance areas - Public meeting terraces

This spatial arrangement produces not only physical layering but also social richness and programmatic

diversity.

3.3. Social Interaction and Flows

A visual and physical continuity is established between the natural circulation of the marketplace at the lower

level and the social platforms above. Ramps, staircases, and permeable zones ensure fluid transitions

between the two levels, encouraging interaction among users. Thus, a child observing the market from above

or an adult shopping below becomes part of a dynamic dialogue between spaces.

3.4. Breaking the Monotony of the Soviet Grid

One of the driving motivations of the project is to respond to the uniform, non-hierarchical urban fabric shaped

by the architectural language of the Soviet era. By layering spaces both vertically and horizontally, the design

generates a controlled sense of chaos, fluidity, and unexpected encounters. Positioning the market one meter

below, while locating other activities at +3 to +4 meters, creates a balanced yet diverse urban environment,

enhancing both spatial experience and programmatic variety.

4. Conclusion

The Pazardzhik Multi-Layered Market and Public Platform reinterprets the historical essence of the

marketplace while projecting it into the future of urban life. By embedding the market one level below, lifting a

civic platform above, and weaving flows of interaction throughout, the design generates both spatial hierarchy

and democratic openness.

This project aims not only to host commercial activity but also to cultivate memory, community, and identity. It

is a living stage of encounter where the city can rediscover its past while rehearsing its future—a resilient

urban node that unites tradition and contemporaneity.

ş©2021 by Topçu Architecture.
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